I’m not sure if there’s something in the air or water (because surely we can’t be held responsible for our own actions or emotions, right?), but there seems to be this influx of bummer break ups and/or newly announced engagements and babies on-the-way. It’s totally weirding me out. Does this time of year bring out the best/worst of us? Or, is this some sort of corny metaphorical new beginning/shedding of baggage that occurs with Spring?
Regardless and luckily for us, these emotions that seem to be running on an all-time high tend to be the inspiration and hence, creation of some pretty magnificent music. So with that, I present to you a plethora of recently released and highly addicting tracks that just so happen to have luv/hate on the brain:
Still Corners is the moniker of London-hailing indie dream pop duo Greg Hughes and Tessa Murray. They made a minor splash in the blogosphere in 2010/2011 with their sickeningly sweet jams, “Don’t Fall in Love,” and “Cuckoo.” A year after their debut LP, the duo is back with a vengeance in the form of “Berlin Lovers” – The first dreamy, hypnotic single from their forthcoming sophomore album, Strange Pleasures (via Sub Pop) due out this May. Have a listen:
Still Corners – Berlin Lovers
Tyler Gregory Okonma aka Tyler, the Creator, is a 22 year-old LA-based rapper, producer, artwork ‘creator’ and co-founder of the alt hip hop collective Odd Future. He just released an interesting video for “IFHY,” a single found on his forthcoming album, Wolf, due out April 2nd. It’s an “emo” barbie-esque inspired video featuring his luv/hate interest and a snippet of Pharrell. Gorilla vs. Bear posted the video on Facebook this morning and so simply but eloquently stated: “nightmares.” Enjoy:
Tyler, the Creator – IFHY
Oooh damn, funky, sexy, smooth Janet Jackson reworked by Dutch producer, FS Green? Yes thank you! FS Green writes on his SoundCloud, “I started out wanting to sample one of my favorite Janet tracks for a beat, but it ended up in this weird rework where the track is pitched down, while the vocals are pitched up.” So glad it worked in our favor, ‘cus I can’t stop playing this jam:
Janet Jackson – Rock With U (FS Green Rework)
Fol Chen, the 6 member LA-based and self-proclaimed “Opera-House” indie-electro-pop group is back, and they’ve recently released their third album, The False Alarms via Asthmatic Kitty. “I.O.U” is a sexy, playful, bitter-sweet single from the seemingly dance-inducing LP.
Fol Chen – I.O.U
Okay, I’ll admit this gem from Toronto-hailing electro Goddess, Katie Stelmanis (& co.) aka Austra has been floating around for about a month already. But, it’s a beautiful and powerful glimpse into Austra‘s second LP, Olympia, due out June 1st. The group is by far one of my most beloved live bands (remember when Grimes opened for them?!) and their eerie, dark, synthy beats combined with Stelmanis’s magnetic, classically trained opera voice is, as always, all-consuming. Enough said:
Austra – Home
Today, I don’t have any plans to stay up until 4 am, drink cheap booze, eat copious amounts of meat or breakfast tacos and race around Austin, TX to watch 2,000+ bands play on a bridge, some steps, in a bar, church, garage, house, backyard, or in a burger joint… it’s weird. SXSW is officially over.
Although the mayhem of a music festival is utterly exhausting, it’s also rejuvenating in the sense that you fully submerge yourself into the deep end of a music-worshiping pool. At SXSW, you’re surrounded by thousands of bloggers, musicians, music industry folk, podcasters, writers, celebrities, and most importantly, but simply, fans. During these 6 whirlwind days, you’re immersed amongst a concentration of people who all share the same love and appreciation for music as equally as you do. It’s refreshing.
The festival exposes you to so many surreal opportunities, chances, music discoveries, and connections that you’d most likely never experience otherwise – It’s a truly magical experience. With that, here are 8 phenomenal highlights from SXSW 2013:
K-X-P at the Karma Lounge + Bob Boilen (Creator and Host of NPR’s All Songs Considered)
Helsinki’s goth LCD Soundsystem trio, K-X-P was absolutely electrifying and their performance was by far my favorite of the SXSW experience. Donning goth gear in the form of black capes and studded leather dresses, K-X-P pulsed long, intensely dark synth and heavy beats throughout the bar at 1 am. I also spotted Bob Boilen from NPR’s All Songs Considered in the room and introduced myself, as I’m a big fan. Quite extraordinarily, Bob mentioned me in his podcast that night, and coco stereo in his SXSW wrap up – Truly an honor! You simply never know who may rock out next to at SXSW!
K-X-P – Melody
Empress Of at the Hype Hotel
12 pm is early by SXSW standards, but it was Empress Of‘s first appearance on the festival circuit and it was well worth the price of a little lost sleep. Empress Of is not only adorable, but possesses a magnetic voice and purges raw, refreshing talent that made her performance appear seamless. Her voice quavered when introducing herself, but she happily bounced along to new electro-pop gems we were all eager to hear, as she currently only dons three. Humble, yet extremely talented, Empress Of stole the hearts and ears of many.
Empress Of – Don’t Tell Me
M for Montreal /Arbutus Records Showcase at the Swan Dive
I could write a novel’s worth of blog posts purely about this showcase as I never left, and it was 7 hours long! The lineup included Mac DeMarco, Sean Nicholas Savage, Majical Cloudz, Pat Jordache, Blue Hawaii, Doldrums, and Braids. If it wasn’t already obvious that Montreal is kicking serious ass in the music realm, it should be now.
Though Mac DeMarco, everyone’s favorite goofy crooner/rocker isn’t an Arbutus Records artist, he is from Montreal and a dear friend to these musicians. This was the 3rd time I’d seen DeMarco (who was still wearing the same garbs) at SXSW, and not purposefully, he just seemed to be everywhere. However, this was by far his best performance, as he seemed to be in true bizarro form amongst friends. At one point mid-performance, DeMarco scrambled up a wooden beam and began swinging from the ceiling rafters which throughly pissed off venue owners, yet pleased the crowd to no end.
Mac DeMarco – Ode to Viceroy
The intriguing, ever-ecclectic and highly talented singer/songwriter Sean Nicholas Savage got on stage with just a keyboard and a microphone. He took his shoes off, swayed his hips, sang his best hits and the audience melted, or maybe that was just me.
Sean Nicholas Savage – Lonely Woman
Blue Hawaii‘s performance was by for the most surprising and mind-blowing for many. The duo filled the white washed venue with pulsing synth and Raphaelle Standell-Preston’s sweet, melodic, falsetto voice strikingly resembled Grimes. The crowd danced hard, especially Devon of Majical Cloudz who was front and center.
Blue Hawaii – In Two
With a drummer and two keyboard/synth backups, Doldrums ferociously played his hypnotic, experimental electro beats (out of a suitcase), belted lyrics while crowd surfing with ease, and placed a dance inducing spell over the entire audience. Never had I seen such a massive conglomerate of pulsating, jumping and gyrating humans at SXSW. Everyone in the audience completely lost themselves in the music and it was incredible to witness/experience. The energy was at an all-time high.
Doldrums – Egypt
The most endearing aspect of the showcase, however, was witnessing the camaraderie, support and love each of the Arbutus and/or other Canadian artists showed for each other. I also spotted DeMarco obviously, as well as Born Gold and Mozart’s Sister amongst others. The entire venue was filled to the brim with artists who watched, cheered and danced harder than most to their fellow musicians’ music.
Rhye at the Pitchfork Day Party
I had the guilty pleasure of proving multiple people wrong at the Pitchfork Day Party, by exclaiming “Rhye‘s a guy y’all!” when many were smacked with the realization that Rhye is indeed a man. I mean, his name is Mike Milosh and he owns that dreamy, silky, seductive and sultry voice. Rhye explained that he and his band, including a phenomenal violinist and trombone player, had just flew in from Berlin and were on their 40th hour of being awake. Yet, they still played an astonishing set of what Milosh referred to as sexy “night time music” during broad day light.
Rhye – Open
Girls Names at the Flamingo Cantina
Though their faces were quite complacent, Girls Names rocked long and hard, and not an eye could pry away from their quint essential post-punk Brit rock, (they are from Belfast, after all). There wasn’t anything out of the ordinary, crazy, or gasp-worthy necessary to make this a successful set, Girls Names simply provided steady, hefty, refreshing rock n’ roll.
Girls Names – Hypnotic Regression
Ólafur Arnalds at Peckerheads
I was completely unaware of this ambient Icelandic group/producer until my good ol pal, Bob Boilen had suggested the show. The bar, rightfully named Peckerheads, was clamoring with noise from happy drunkards and thumping beats from below, but Ólafur Arnalds urged people to take a seat and enjoy the beauty he was about to embark upon us. Accompanied by an intense violinist and cello player, Ólafur’s soothing, melodic and beautiful instrumental music quieted the crowd and made people exclaim, “wow.”
Ólafur Arnalds – Only the Winds
Giraffage on the Exploded Drawing Party Boat
I somehow managed to start day 1 of SXSW, typically the tamest of all, in the most blissful way. A crowd of people piled onto the Exploded Drawing double-decker party boat and we floated down the river into the sunset, all while sipping on cucumber/kale margaritas and dancing to the seriously sweet beats of 10+ DJs. Giraffage, the moniker of San Francisco-hailing producer, Charlie Yin, had the quickest, and most nimble fingers of them all, and he induced everyone to jump up, and all the ladies to get down.
Giraffage – Close 2 Me
Parquet Courts, Merchandise & Destruction Unit on Pedestrian Bridge at 3 am
Granted, this was technically a Chaos in Tejas event put on by BrooklynVegan, but racing to watch indie punk rockers Parquet Courts, Merchandise and Destruction Unit rock hard on a bridge at 3 am seemed so utterly SXSW. The bridge was literally rockin’ while the crowd was rollin’ into each other during a frenzy of excited mosh pits that lasted well into early morning.
Parquet Courts – Stoned and Starving
In the effort to make this wrap up reasonably succinct, out of the 50+ bands I managed to see, other stand out performances included: Baths, DIANA, Autre Ne Veut, Mozart’s Sister, CHVRCHES, Austra, Ryan Hemsworth, and MØ. And while everyone in attendance may be missing SXSW already, it’s never too early to plan for next year. Until next time, adios Tejas!
It’s that time of year in San Francisco when the weather starts to resemble something summer-like, the fog begins to roll out, and the leather, whips, chains, paddles, dog leashes, and domination comes a rollin’ in. That’s right – it’s Folsom Street Fair time! If you’re a newbie to the festival name or concept, The 13 city blocks long Folsom Street fair is an annual BDSM (bondage, discipline, sadomasochism) fest that occurs during “Leather Pride Week” in September. According to Wikipedia, the festival, and non-profit charity (!) has been in existence since 1984 and it’s “the world’s largest leather event and showcase for BDSM products and culture.” – Impressive!
Essentially, if you want to see some burly men, (and an occasional lady) [un]leash themselves in a literal shit show (YES) full of leather straps and eye/mind-opening behavior, the Folsom Street Fair will cure your need for kink. So, in celebration of this impressively large, unconventional non-profit and jaw dropping festival, I present to you a Folsom Street Fair ‘mixtape’ of sorts. It’s full of dark, goth-rock, electro synthwave that I’m sure anyone would enjoy, especially while getting choked, tied up, or spanked… you know, if you’re into that kind of thing.
Trust – Gloryhole
Light Asylum – IPC
Zambri – ICBYS
Gatekeeper – Chains
The Knife – You Make Me Like Charity (Cry Wolf Remix)
Pictureplane – Techno Fetish
Austra – Beat and the Pulse (NSFW)