Mozart’s Sister has been one of my most consistent musical obsessions over the last three years. I’ve been clinging on to her 3-track EP, Dear Fear, originally self-released in 2011, for what feels like an eternity.
Caila Thompson-Hannant aka Mozart’s Sister re-released Dear Fear as Hello in 2013 with the addition of one more track via Merok Records. With little-to-no news about further releases, my consistent anticipation for amazing electro-pop pureness from the Montreal-hailing songstress remained faithful.
Today, news of her debut album, Being, is finally here, and it’s due out August 5th (!!!) via Asthmatic Kitty Records. We’re also given a glimpse of the record with the release of a new track and video for, “Enjoy.”
According to Asthmatic Kitty, “inspired by Discovery-era Daft Punk, Post-era Bjork, and Betty Davis, Caila produced, recorded and wrote Being using a cheap sound card and Ableton software, approaching it with a do-it-all-by-my-self ideology… ‘Being is a fracture,’ says Caila. ‘A note between thought and expression. When I wrote this record I was riding a wave of light and dark; I still am. It’s not a twisted path but one that aspires to harmony. In all the little bits that make up the bulk of the ‘songs’ of this album is a jump. So here I am jumping into your mercy, a leap I will never forget. I feel the future can only bring better or worse and definitely not the same. So this record is a thing that will never happen again. I hope you enjoy it.'”
It’s refreshing to hear that Trust aka Robert Alfons, the insanely talented Toronto-hailing goth synth-pop God can consistently keep up with his dark, seductive, drug-sick lurching-like music producing ways. Since the release of his stunning debut album, TRST, back in 2012, Alfons has been on what seems like a never-ending tour, but he’s back to making new music and blowing everyone’s minds and ears, per usual.
Trust‘s sophomore album, Joyland, described as “an eruption of guts, feels, and joy,” is due out March 4 via Arts & Crafts. He’ll also be embarking on tour with none other than the amazing electro-pop Queen, Mozart’s Sister. Could this get any better!? Have a listen to “Capitol” and “Rescue, Mister,” two new tracks off of Joyland, then commence to weep black tears of synth-pop joy:
Trust – Capitol
Trust – Rescue, Mister
The extremely talented Montreal-hailing electro-pop artist, Mozart’s Sister has released her first video. Caila Thompson-Hannant, (formerly of Shapes and Sizes) is the electro-pop Queen claiming to be #2, however, she’s slowly but surely making big waves in the blogosphere with her undeniably catchy beats and soaring, soulful vocals. Donning just a handful of songs via her 2011 self-released EP, Dear Fear, Mozart’s Sister has since teamed up with Merok Records (Crystal Castles, Majical Cloudz, Active Child, Giza) and re-released her EP as Hello back in February.
Today, we’re graced with a video of the quirky songstress with the sweetest beats belting the song that started it all, “Mozart’s Sister.” At SXSW this year, while Caila bounced around on stage, she exclaimed that “Mozart’s Sister” was her very first track (though not her first release) and the inspiration for her project’s name, for which we’re ecstatic!
Today, I don’t have any plans to stay up until 4 am, drink cheap booze, eat copious amounts of meat or breakfast tacos and race around Austin, TX to watch 2,000+ bands play on a bridge, some steps, in a bar, church, garage, house, backyard, or in a burger joint… it’s weird. SXSW is officially over.
Although the mayhem of a music festival is utterly exhausting, it’s also rejuvenating in the sense that you fully submerge yourself into the deep end of a music-worshiping pool. At SXSW, you’re surrounded by thousands of bloggers, musicians, music industry folk, podcasters, writers, celebrities, and most importantly, but simply, fans. During these 6 whirlwind days, you’re immersed amongst a concentration of people who all share the same love and appreciation for music as equally as you do. It’s refreshing.
The festival exposes you to so many surreal opportunities, chances, music discoveries, and connections that you’d most likely never experience otherwise – It’s a truly magical experience. With that, here are 8 phenomenal highlights from SXSW 2013:
K-X-P at the Karma Lounge + Bob Boilen (Creator and Host of NPR’s All Songs Considered)
Helsinki’s goth LCD Soundsystem trio, K-X-P was absolutely electrifying and their performance was by far my favorite of the SXSW experience. Donning goth gear in the form of black capes and studded leather dresses, K-X-P pulsed long, intensely dark synth and heavy beats throughout the bar at 1 am. I also spotted Bob Boilen from NPR’s All Songs Considered in the room and introduced myself, as I’m a big fan. Quite extraordinarily, Bob mentioned me in his podcast that night, and coco stereo in his SXSW wrap up – Truly an honor! You simply never know who may rock out next to at SXSW!
K-X-P – Melody
Empress Of at the Hype Hotel
12 pm is early by SXSW standards, but it was Empress Of‘s first appearance on the festival circuit and it was well worth the price of a little lost sleep. Empress Of is not only adorable, but possesses a magnetic voice and purges raw, refreshing talent that made her performance appear seamless. Her voice quavered when introducing herself, but she happily bounced along to new electro-pop gems we were all eager to hear, as she currently only dons three. Humble, yet extremely talented, Empress Of stole the hearts and ears of many.
Empress Of – Don’t Tell Me
M for Montreal /Arbutus Records Showcase at the Swan Dive
I could write a novel’s worth of blog posts purely about this showcase as I never left, and it was 7 hours long! The lineup included Mac DeMarco, Sean Nicholas Savage, Majical Cloudz, Pat Jordache, Blue Hawaii, Doldrums, and Braids. If it wasn’t already obvious that Montreal is kicking serious ass in the music realm, it should be now.
Though Mac DeMarco, everyone’s favorite goofy crooner/rocker isn’t an Arbutus Records artist, he is from Montreal and a dear friend to these musicians. This was the 3rd time I’d seen DeMarco (who was still wearing the same garbs) at SXSW, and not purposefully, he just seemed to be everywhere. However, this was by far his best performance, as he seemed to be in true bizarro form amongst friends. At one point mid-performance, DeMarco scrambled up a wooden beam and began swinging from the ceiling rafters which throughly pissed off venue owners, yet pleased the crowd to no end.
Mac DeMarco – Ode to Viceroy
The intriguing, ever-ecclectic and highly talented singer/songwriter Sean Nicholas Savage got on stage with just a keyboard and a microphone. He took his shoes off, swayed his hips, sang his best hits and the audience melted, or maybe that was just me.
Sean Nicholas Savage – Lonely Woman
Blue Hawaii‘s performance was by for the most surprising and mind-blowing for many. The duo filled the white washed venue with pulsing synth and Raphaelle Standell-Preston’s sweet, melodic, falsetto voice strikingly resembled Grimes. The crowd danced hard, especially Devon of Majical Cloudz who was front and center.
Blue Hawaii – In Two
With a drummer and two keyboard/synth backups, Doldrums ferociously played his hypnotic, experimental electro beats (out of a suitcase), belted lyrics while crowd surfing with ease, and placed a dance inducing spell over the entire audience. Never had I seen such a massive conglomerate of pulsating, jumping and gyrating humans at SXSW. Everyone in the audience completely lost themselves in the music and it was incredible to witness/experience. The energy was at an all-time high.
Doldrums – Egypt
The most endearing aspect of the showcase, however, was witnessing the camaraderie, support and love each of the Arbutus and/or other Canadian artists showed for each other. I also spotted DeMarco obviously, as well as Born Gold and Mozart’s Sister amongst others. The entire venue was filled to the brim with artists who watched, cheered and danced harder than most to their fellow musicians’ music.
Rhye at the Pitchfork Day Party
I had the guilty pleasure of proving multiple people wrong at the Pitchfork Day Party, by exclaiming “Rhye‘s a guy y’all!” when many were smacked with the realization that Rhye is indeed a man. I mean, his name is Mike Milosh and he owns that dreamy, silky, seductive and sultry voice. Rhye explained that he and his band, including a phenomenal violinist and trombone player, had just flew in from Berlin and were on their 40th hour of being awake. Yet, they still played an astonishing set of what Milosh referred to as sexy “night time music” during broad day light.
Rhye – Open
Girls Names at the Flamingo Cantina
Though their faces were quite complacent, Girls Names rocked long and hard, and not an eye could pry away from their quint essential post-punk Brit rock, (they are from Belfast, after all). There wasn’t anything out of the ordinary, crazy, or gasp-worthy necessary to make this a successful set, Girls Names simply provided steady, hefty, refreshing rock n’ roll.
Girls Names – Hypnotic Regression
Ólafur Arnalds at Peckerheads
I was completely unaware of this ambient Icelandic group/producer until my good ol pal, Bob Boilen had suggested the show. The bar, rightfully named Peckerheads, was clamoring with noise from happy drunkards and thumping beats from below, but Ólafur Arnalds urged people to take a seat and enjoy the beauty he was about to embark upon us. Accompanied by an intense violinist and cello player, Ólafur’s soothing, melodic and beautiful instrumental music quieted the crowd and made people exclaim, “wow.”
Ólafur Arnalds – Only the Winds
Giraffage on the Exploded Drawing Party Boat
I somehow managed to start day 1 of SXSW, typically the tamest of all, in the most blissful way. A crowd of people piled onto the Exploded Drawing double-decker party boat and we floated down the river into the sunset, all while sipping on cucumber/kale margaritas and dancing to the seriously sweet beats of 10+ DJs. Giraffage, the moniker of San Francisco-hailing producer, Charlie Yin, had the quickest, and most nimble fingers of them all, and he induced everyone to jump up, and all the ladies to get down.
Giraffage – Close 2 Me
Parquet Courts, Merchandise & Destruction Unit on Pedestrian Bridge at 3 am
Granted, this was technically a Chaos in Tejas event put on by BrooklynVegan, but racing to watch indie punk rockers Parquet Courts, Merchandise and Destruction Unit rock hard on a bridge at 3 am seemed so utterly SXSW. The bridge was literally rockin’ while the crowd was rollin’ into each other during a frenzy of excited mosh pits that lasted well into early morning.
Parquet Courts – Stoned and Starving
In the effort to make this wrap up reasonably succinct, out of the 50+ bands I managed to see, other stand out performances included: Baths, DIANA, Autre Ne Veut, Mozart’s Sister, CHVRCHES, Austra, Ryan Hemsworth, and MØ. And while everyone in attendance may be missing SXSW already, it’s never too early to plan for next year. Until next time, adios Tejas!
The anticipation and chaos for this year’s SXSW music fest in Austin, Texas (March 12th-17th) continues to grow at great lengths. The amount of parties, new bands added, RSVPs, lineups and showcases consistently flow in at alarming rates; and it certainly isn’t over yet. The increasing excitement is contagious and overwhelming, especially when you envision just how much amazing music (and people; 60K to be exact) will embark upon the Tejas capital, and all at once.
To contribute to the ever-growing hype, here is a compilation of (40+) absolute must-see acts/bands at this year’s SXSW. Granted, no one’s ever gonna see ’em all (one can only hope!), so these top 6 absolute must-sees are ones you should seriously kick yourself if missed:
p.s. coco stereo will be representin’ in full force at SXSW, March 7th-16th – Let’s get our dance on together!
As a toast to Sean Nicholas Savage, the eccentric pop artist and vital key to Montreal’s continuously growing music scene, Arbutus labelmates and Canadian cohorts have compiled a 17-track compilation covering Savage’s songs. The collection, entitled: Taste of Savage – His Pupils Sing His Music features Doldrums, Majical Cloudz, Mac Demarco, Mozart’s Sister and more – All of our favorites in one!
According to Arbutus, the tracks, “ranging from anthems to obscure gems – are anthologized on this release. As the first act ever to release on Arbutus, a community has developed surrounding Savage, his songwriting, charisma and his social philosophies.
It is a true honour to present such a mix of genre and creative thought – and this is what’s captivating about the compilation. A group of artists brought together not by genre but by circumstance: a shared home, one which Savage represents as a primary character in the Canadian music scene.”
Stream Taste of Savage below, and download all 17 tracks over at Arbutus:
Taste of Savage – His Pupils Sing His Music
EXCITING NEWS y’all! Mozart’s Sister, one of the (by far) most talented, yet underrated artists has released another, and self-titled track: “Mozart’s Sister“(!)
Montreal-hailing Caila Thompson-Hannant, (formerly of Shapes and Sizes) is the one-woman electro-pop Queen behind the project known as Mozart’s Sister. She dons just a handful of songs via her self-released Dear Fear EP from 2011, yet each track is drenched with pure electro-pop bliss. It’s simply astonishing that with Mozart’s Sister‘s undeniably catchy beats and soaring, soulful vocals, she hasn’t skyrocketed to major superstardom, because it’s certainly deserved. However, it looks like things are certainly in motion. Mozart’s Sister made an appearance at CMJ music marathon in 2012 catching the eye of a Pitchfork-ist, and has partnered up with Merok Records (Crystal Castles, Majical Cloudz, Active Child, Giza).
Mozart’s Sister – “Mozart’s Sister”
A homie of mine introduced me to Mozart’s Sister back in November of 2011, and I haven’t been able to kick her (figuratively speaking) since… and I mean this as the highest form of flattery. As an avid and almost rabid new music scourer, moving on the next best thing within a week is par for the course, but Mozart’s Sister isn’t going anywhere and (i’m hoping) this “static electro-pop” songstress is gonna be big.
Hailing from Montréal (Oh Canada, you’re just too good!), Caila Thompson-Hannant, formerly of Shapes and Sizes, has only produced a handful of sickeningly addictive pop songs, but they’re electro-tastic enough to make an impact. Chained Together is her newest gem of glorious pop proportions from her 3-track DEAR FEAR EP.
Mozart’s Sister – Don’t Leave it to Me – This is my all-time favorite Mozart’s Sister jam. I can’t tell you how many times i’ve listened to it on repeat:
Mozart’s Sister – Single Status