Today, I don’t have any plans to stay up until 4 am, drink cheap booze, eat copious amounts of meat or breakfast tacos and race around Austin, TX to watch 2,000+ bands play on a bridge, some steps, in a bar, church, garage, house, backyard, or in a burger joint… it’s weird. SXSW is officially over.
Although the mayhem of a music festival is utterly exhausting, it’s also rejuvenating in the sense that you fully submerge yourself into the deep end of a music-worshiping pool. At SXSW, you’re surrounded by thousands of bloggers, musicians, music industry folk, podcasters, writers, celebrities, and most importantly, but simply, fans. During these 6 whirlwind days, you’re immersed amongst a concentration of people who all share the same love and appreciation for music as equally as you do. It’s refreshing.
The festival exposes you to so many surreal opportunities, chances, music discoveries, and connections that you’d most likely never experience otherwise – It’s a truly magical experience. With that, here are 8 phenomenal highlights from SXSW 2013:
K-X-P at the Karma Lounge + Bob Boilen (Creator and Host of NPR’s All Songs Considered)
Helsinki’s goth LCD Soundsystem trio, K-X-P was absolutely electrifying and their performance was by far my favorite of the SXSW experience. Donning goth gear in the form of black capes and studded leather dresses, K-X-P pulsed long, intensely dark synth and heavy beats throughout the bar at 1 am. I also spotted Bob Boilen from NPR’s All Songs Considered in the room and introduced myself, as I’m a big fan. Quite extraordinarily, Bob mentioned me in his podcast that night, and coco stereo in his SXSW wrap up – Truly an honor! You simply never know who may rock out next to at SXSW!
K-X-P – Melody
Empress Of at the Hype Hotel
12 pm is early by SXSW standards, but it was Empress Of‘s first appearance on the festival circuit and it was well worth the price of a little lost sleep. Empress Of is not only adorable, but possesses a magnetic voice and purges raw, refreshing talent that made her performance appear seamless. Her voice quavered when introducing herself, but she happily bounced along to new electro-pop gems we were all eager to hear, as she currently only dons three. Humble, yet extremely talented, Empress Of stole the hearts and ears of many.
Empress Of – Don’t Tell Me
M for Montreal /Arbutus Records Showcase at the Swan Dive
I could write a novel’s worth of blog posts purely about this showcase as I never left, and it was 7 hours long! The lineup included Mac DeMarco, Sean Nicholas Savage, Majical Cloudz, Pat Jordache, Blue Hawaii, Doldrums, and Braids. If it wasn’t already obvious that Montreal is kicking serious ass in the music realm, it should be now.
Though Mac DeMarco, everyone’s favorite goofy crooner/rocker isn’t an Arbutus Records artist, he is from Montreal and a dear friend to these musicians. This was the 3rd time I’d seen DeMarco (who was still wearing the same garbs) at SXSW, and not purposefully, he just seemed to be everywhere. However, this was by far his best performance, as he seemed to be in true bizarro form amongst friends. At one point mid-performance, DeMarco scrambled up a wooden beam and began swinging from the ceiling rafters which throughly pissed off venue owners, yet pleased the crowd to no end.
Mac DeMarco – Ode to Viceroy
The intriguing, ever-ecclectic and highly talented singer/songwriter Sean Nicholas Savage got on stage with just a keyboard and a microphone. He took his shoes off, swayed his hips, sang his best hits and the audience melted, or maybe that was just me.
Sean Nicholas Savage – Lonely Woman
Blue Hawaii‘s performance was by for the most surprising and mind-blowing for many. The duo filled the white washed venue with pulsing synth and Raphaelle Standell-Preston’s sweet, melodic, falsetto voice strikingly resembled Grimes. The crowd danced hard, especially Devon of Majical Cloudz who was front and center.
Blue Hawaii – In Two
With a drummer and two keyboard/synth backups, Doldrums ferociously played his hypnotic, experimental electro beats (out of a suitcase), belted lyrics while crowd surfing with ease, and placed a dance inducing spell over the entire audience. Never had I seen such a massive conglomerate of pulsating, jumping and gyrating humans at SXSW. Everyone in the audience completely lost themselves in the music and it was incredible to witness/experience. The energy was at an all-time high.
Doldrums – Egypt
The most endearing aspect of the showcase, however, was witnessing the camaraderie, support and love each of the Arbutus and/or other Canadian artists showed for each other. I also spotted DeMarco obviously, as well as Born Gold and Mozart’s Sister amongst others. The entire venue was filled to the brim with artists who watched, cheered and danced harder than most to their fellow musicians’ music.
Rhye at the Pitchfork Day Party
I had the guilty pleasure of proving multiple people wrong at the Pitchfork Day Party, by exclaiming “Rhye‘s a guy y’all!” when many were smacked with the realization that Rhye is indeed a man. I mean, his name is Mike Milosh and he owns that dreamy, silky, seductive and sultry voice. Rhye explained that he and his band, including a phenomenal violinist and trombone player, had just flew in from Berlin and were on their 40th hour of being awake. Yet, they still played an astonishing set of what Milosh referred to as sexy “night time music” during broad day light.
Rhye – Open
Girls Names at the Flamingo Cantina
Though their faces were quite complacent, Girls Names rocked long and hard, and not an eye could pry away from their quint essential post-punk Brit rock, (they are from Belfast, after all). There wasn’t anything out of the ordinary, crazy, or gasp-worthy necessary to make this a successful set, Girls Names simply provided steady, hefty, refreshing rock n’ roll.
Girls Names – Hypnotic Regression
Ólafur Arnalds at Peckerheads
I was completely unaware of this ambient Icelandic group/producer until my good ol pal, Bob Boilen had suggested the show. The bar, rightfully named Peckerheads, was clamoring with noise from happy drunkards and thumping beats from below, but Ólafur Arnalds urged people to take a seat and enjoy the beauty he was about to embark upon us. Accompanied by an intense violinist and cello player, Ólafur’s soothing, melodic and beautiful instrumental music quieted the crowd and made people exclaim, “wow.”
Ólafur Arnalds – Only the Winds
Giraffage on the Exploded Drawing Party Boat
I somehow managed to start day 1 of SXSW, typically the tamest of all, in the most blissful way. A crowd of people piled onto the Exploded Drawing double-decker party boat and we floated down the river into the sunset, all while sipping on cucumber/kale margaritas and dancing to the seriously sweet beats of 10+ DJs. Giraffage, the moniker of San Francisco-hailing producer, Charlie Yin, had the quickest, and most nimble fingers of them all, and he induced everyone to jump up, and all the ladies to get down.
Giraffage – Close 2 Me
Parquet Courts, Merchandise & Destruction Unit on Pedestrian Bridge at 3 am
Granted, this was technically a Chaos in Tejas event put on by BrooklynVegan, but racing to watch indie punk rockers Parquet Courts, Merchandise and Destruction Unit rock hard on a bridge at 3 am seemed so utterly SXSW. The bridge was literally rockin’ while the crowd was rollin’ into each other during a frenzy of excited mosh pits that lasted well into early morning.
Parquet Courts – Stoned and Starving
In the effort to make this wrap up reasonably succinct, out of the 50+ bands I managed to see, other stand out performances included: Baths, DIANA, Autre Ne Veut, Mozart’s Sister, CHVRCHES, Austra, Ryan Hemsworth, and MØ. And while everyone in attendance may be missing SXSW already, it’s never too early to plan for next year. Until next time, adios Tejas!
There have been endless “best song” lists that’ve already purged themselves (well before the year has actually ended) into the blogosphere – Some have been predictable, some ridiculous. It’s easy to criticize, scoff, laugh and/or roll your eyes at some choices made on “best of” lists. To be honest, it’s kind of fun to size up each list, that is until you attempt to compile one yourself. It’s really fucking hard y’all (!), not to mention ridiculously time-consuming.
I remember ridiculing NPR for releasing their ‘best songs’ list in alphabetical order, thinking “Come on, that’s the easy way out!” and here I am, releasing my top 55 tracks in alphabetical order via Spotify (which has its pros/cons). I totally get it now. Not everyone is going to be 100% happy with your choices, and people love to point out “obvious” exclusions, but in the end, it’s amazing knowing that 2012 produced so much incredible music that it is really difficult to pack just 25, 50, or even 100 songs into a list, to the point that you piss people off.
The way in which you present your list is also a dilemma. I finally chose to use Spotify so that I wouldn’t crash everyone’s computers with an endless list of SoundCloud players, however, there were some tracks or bands (Kate Boy, HAERTS) I had to eliminate from the list, simply because they weren’t on Spotfiy. Is that shitty? But for almost a month, I brood over my best tracks list and created, dissected, reconstructed, added, edited, and said ‘ah fuck it’ more times than I’d probably like to admit. At some point, you have to say “just publish it!” and that’s what I’m doing… at the actual end of the year. So finally, I present to you three hours of listening pleasure via coco stereo’s top 55 songs of 2012 (psst…the http link for Spotify by default only shows 30 tracks at a time, so see full music player below). Enjoy:
alt-J – Breezeblocks
AlunaGeorge – Just A Touch
Animal Collective – Applesauce
Azealia Banks – 212
Black Moth Super Rainbow – Windshield Smasher
Blood Diamonds – Phone Sex (feat. Grimes)
Chet Faker – I’m Into You
CHVRCHES – The Mother We Share
Death Grips – I’ve Seen Footage
Diplo feat. Lazerdisk Party Sex – Set It Off (feat. Lazerdisk Party Sex)
Dirty Projectors – Gun Has No Trigger
Disclosure – Latch
Django Django – Default
Doldrums – She Is The Wave (Ft. Guy Dallas)
Dum Dum Girls – Lord Knows
Ellie Goulding – Anything Could Happen
Empress Of – Champagne
Flume – Sleepless (feat. Jezzabell Doran)
Frank Ocean – Lost
Graphics – There’s a Way Back
Grimes – Genesis
Haim – Send Me Down
Here We Go Magic – How Do I Know
Holobody – Prelude
How To Dress Well – & It Was U
Hundred Waters – Sonnet
Iamamiwhoami – Sever
The Irrepressibles – Arrow
Kendrick Lamar – The Recipe
Kindness – Cyan
Liars – Brats
Light Asylum – IPC
Lord Huron – Time To Run
Lower Dens – Brains
Mac Demarco – Rock and Roll Night Club
Major Lazer – Get Free
Miguel – Do You…
Mikky Ekko – Pull Me Down
Mykki Blanco – Wavvy
On An On – Ghosts
Perfume Genius – Hood
Phèdre – IN DECAY
Porcelain Raft – Unless You Speak From Your Heart
Pure Bathing Culture – Ivory Coast
Purity Ring – Obedear
Sam Flax – Fire Doesn’t Burn Itself
Sharon Van Etten – Give Out
Solange – Losing You
Tame Impala – Feels Like We Only Go Backwards
Tennis – My Better Self
Tomas Barfod – November Skies
Trust – Sulk
Wild Nothing – Nocturne
Yuna – Live Your Life
Zambri – You’ll Never Beat Dogs
Filming yourself gorging on watermelon to the soundtrack of your own smooth, sensual, electro-pop sounds will undoubtedly grab the attention of many. Lorely Rodriguez aka Empress Of has done this successfully with her new video and song, “Champagne.”
People have been eager to know/hear more from the young Brooklynite. Releasing her “colorminutes” Youtube clips, sporting a Craigslist look-a-like website, and debuting at the Gorilla vs. Bear CMJ showcase has placed Empress Of on people’s radars with an extreme douse of curiosity.
For now, Empress Of dons two songs, “Champagne” and “Don’t Tell Me” (found below), both of which have been released on a new 7″ via No Recordings. Join in on the curiosity and follow Empress Of on Facebook, SoundCloud, and watch her new eyebrow raising video for “Champagne.”
Empress Of – Champagne
Empress Of – Don’t Tell Me