Tagged: Music Hall of Williamsburg
Meet: Hype-Worthy Electro Goth Pop Duo: Azar Swan
Thank God for fresh goth-pop! The dark, deep, sultry, industrial, synthastic electro beats that make up goth pop seem to have been slightly dimming in the limelight as of late (okay, by like, a few months). However, the hype-worthy Brooklyn based group, Azar Swan, is reviving goth-pop to blinding proportions.
The duo, Zohra Atash and Joshua Strawn (formerly of Religious to Damn) don just two songs: “Lusty,” their latest and appropriately titled release, and “Amirka,” their cult-like following inducing debut single, which thrust the band onto the blogosphere’s radar late last year.
Azar Swan recently opened for Tamaryn at the Music Hall of Williamsburg in Brooklyn, and rumor has it, their debut album is due out sometime this spring – Eagerly looking forward to it! In the mean time, find Azar Swan on Facebook, Twitter, and SoundCloud.
Azar Swan – Lusty
Azar Swan – Amrika
More Jizz Jazz! Mac DeMarco 2 is Finally Here… But is it Missing a Certain Something?
FINALLY. Thank you. Mac DeMarco‘s second compilation, Mac DeMarco 2 is here. We can all rejoice in more “jizz jazz” that the eccentric Canadian has unleashed upon us… or can we?
The “proper full length album,” released just six months after his solo debut, portrays DeMarco’s abilities as a singer/song writer more than ever. The LP is full of catchy, slow rock jams crooning about love, loneliness, cigarettes, and “Freaking Out the Neighborhood.” However, the album also seems to be missing a certain je ne sais quoi.
After a thorough listen, I’m left wanting more of DeMarco’s creepy antics, goofy spoofs and overall eccentric playfulness that makes him so intriguing, appealing and the genius behind his self-proclaimed “jizz jazz” jangles. Only at the end of “Ode to Viceroy” do we get a small glimpse of the sleaze he likes to squeeze in. DeMarco’s strengths as a musician are rightfully highlighted, however, in this highly anticipated album, his personality, (which is as prominent as the gap in his front teeth), seems to have been dimmed. Is this a result of backlash from wild live shows, or the pressure to produce as a ‘serious’ musician? The album holds its own, purely as a display of DeMarco’s raw talent, and his irony is still present, however, the A-typical singer-songwriter’s weirdness and downright oddities are surely missed.
Take a listen for yourself and stream Mac DeMarco 2 on Spotify. Here are a few of my personal favs (aside from those you’ve already heard) from the album:
If you want the full Mac DeMarco package, seeing him live will ease this need. This morning, I eagerly jumped to the end of the LP to listen to “Still Together,” as it’s by far one of the most captivating jams DeMarco sings live – it’s also the sweetest of the lot, including a convo between DeMarco and his “kind of woman” that makes you say “awww.” If you have a chance to catch the goofy crooner live, he’s playing a ridiculous number of shows (9 total) in New York this week as part of the CMJ Music Marathon, then he’s off for a Euro tour. Check out tour dates here. If you’re in NYC, thanks to BrooklynVegan, they’ve done all the work for me in laying it all out:
Captured Tracks has a CMJ showcase at Music Hall of Williamsburg on October 18 with Mac DeMarco, Thieves Like Us, and Dignan Porch. Tickets for that show are still available. Mac DeMarco has other CMJ shows scheduled too, including the Panache showcase at Public Assembly (10/19), the My Social List showcase at the Martin Room in Webster Hall (10/16), the post-CMJ show at Bowery Ballroom (10/21) with Wild Nothing and Merchandise, and the just announced free Hype Machine party at Brooklyn Bowl on October 18 with Hundred Waters (who also play these shows).